Colour Separation
Splitting artwork into individual print channels is a precise technical process. Wrong angles, incorrect underbase, or poor dot gain compensation means wasted screens and failed prints. We do this right.
What Is Colour Separation?
Colour separation is the process of converting full-colour artwork into individual channels — one per ink colour — so each can be output to a separate film or screen. A 6-colour design requires 6 separated channels, each exposing only the areas that will receive that particular ink.
The method of separation determines the final print quality. Photorealistic work requires a different technique than flat spot-colour logos. We match the separation type to your artwork and press process.
Not Sure Which Type You Need?
Send us your artwork and describe your print setup — we'll recommend the right separation type for your job.
Get a RecommendationFive Methods — One Specialist
We offer all five professional separation techniques. Each is suited to a different type of artwork and print environment.
Simulated Process
Most CommonUses AM halftone dots to simulate full-colour photography-style prints with a limited ink set. The standard choice for complex multi-colour artwork on dark garments.
Spot Colour Sep.
Each flat colour in the design becomes a single, solid channel. No halftone mixing — clean, opaque ink deposits exactly where needed.
Index Separation
Breaks the image into a fine grid of solid-colour squares printed at 100% density. No halftone dots — fully opaque coverage across all channels.
CMYK Separation
True process colour using Cyan, Magenta, Yellow, and Black channels — the same four inks as commercial offset printing, adapted for screen.
FM Halftone Sep.
SpecialistFrequency Modulation (stochastic) screening uses randomly distributed dots instead of a regular grid, eliminating moiré patterns completely.
Which Type Do I Need?
A rough guide — for anything complex, just ask us.